“The singer and guitarist Bombino emerges from the dunes of the Sahara with his desert folk dancing in the flames. Absolutely magical.”- Les Inrockuptibles (France)
” It wasn’t a guitar hero’s display of technique for self-glorification; it was terse bits of guidance and exhortation, sharp nudges, a few glints of steel shown as necessary. It was a leader’s strategic use of resources, always aware of an unforgiving long haul ahead.” – New York Times
After his incredible success with “NOMAD” (produced by the Grammy awarded Dan Auerbach from the The Black Keys) and “AZEL” (produced by David Longstreth, Dirty Projectors) Bombino will come back to Europe in 2018 with his new album “DERAN” (Partisan Records).
Release date: May 2018 – with a first single to come in April
“Deran” – the title of the album – means a positive wish or blessing. The idea here is that Bombino would like to transmit a positive wish for joy and peace to the world through this album.
Producer notes: “This is Bombino’s best album yet! Very rich and varied, more mature song arrangements and performances. Especially of note to me is how the “Tuareggae” sound that Bombino invented has evolved and been mastered on this album – he really has pioneered an entirely new sub-genre of Tuareg music. But, this album is much more than that, as you will soon hear in full.”
Bombino is one of the most upcoming artists in the international music circuit and a real MASTER OF TUAREG(GAE) ROCK & BLUES
Omara “Bombino” Moctar, whose given name is Goumour Almoctar, was born on January 1, 1980, in Tidene, Niger, an encampment of nomadic Tuaregs located about 80 kilometers to the northeast of Agadez. He is a member of the Ifoghas tribe, which belongs to the Kel Adagh Tuareg federation. His father is a car mechanic and his mother takes care of the home, as is the Tuareg tradition. Bombino was raised as a Muslim and taught to consider honor, dignity and generosity as principal tenets of life.
Fans of Bombino and Tuareg music in general will notice a few remarkable innovations on this album. The first is the introduction of a new style Bombino is pioneering that he affectionately calls ‘Tuareggae’ – a sunny blend of Tuareg blues/rock with reggae one-drop and bounce. Another is the first-ever use of Western vocal harmonies in recorded Tuareg music (due to Longstreth’s influence), which give the songs new depth and color. Finally, the band behind him is tighter and more energetic than ever before. The result is Bombino’s best, most well-rounded, and groundbreaking album to date: Azel.
Still in his early thirties, Bombino’s life and travels have exposed him to the problems facing his people. He has taken on the mission of helping the Tuareg community achieve equal rights, peace, maintain their rich cultural heritage and promote education. He is an advocate for teaching children the Tuareg language of Tamasheq, the local Haoussa language as well as French and Arabic, all of which he speaks fluently. “We fought for our rights,” remarks Bombino, “but we have seen that guns are not the solution. We need to change our system. Our children must go to school and learn about their Tuareg identity.”
Four thousand years of living in a hostile environment taught the Tuareg that the will to survive with dignity intact is stronger than any external threat. Bombino puts that sentiment to music, writes its anthem, and gives it a life of its own. He is known as being emblematic of the next generation of Tuareg, a new voice of the Sahara and Sahel, fusing traditional Berber rhythms with the energy of rock and roll and songs about peace. After thirty years of drought, rebellion, and tyranny, Bombino extols his audience to remember who they are, but also realize who they can be.